Behind the seen : how Walter Murch edited Cold Mountain using Apple's Final Cut Pro and what this means for cinema
(eBook)
Author
Published
Berkeley, CA : New Riders, [2005].
Format
eBook
ISBN
9780133786675, 0133786676, 0735714266, 9780735714267, 0133786668, 9780133786668
Physical Desc
1 online resource (1 volume) : illustrations.
Status
Description
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Subjects
LC Subjects
OCLC Fast Subjects
More Details
Language
English
Notes
General Note
Includes index.
Language
English.
Local note
O'Reilly,O'Reilly Online Learning: Academic/Public Library Edition
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Citations
APA Citation, 7th Edition (style guide)
Koppelman, C. (2005). Behind the seen: how Walter Murch edited Cold Mountain using Apple's Final Cut Pro and what this means for cinema . New Riders.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Koppelman, Charles. 2005. Behind the Seen: How Walter Murch Edited Cold Mountain Using Apple's Final Cut Pro and What This Means for Cinema. New Riders.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Koppelman, Charles. Behind the Seen: How Walter Murch Edited Cold Mountain Using Apple's Final Cut Pro and What This Means for Cinema New Riders, 2005.
MLA Citation, 9th Edition (style guide)Koppelman, Charles. Behind the Seen: How Walter Murch Edited Cold Mountain Using Apple's Final Cut Pro and What This Means for Cinema New Riders, 2005.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
98090d3b-e4d2-b671-137c-65d9f6ec234b-eng
Grouping Information
| Grouped Work ID | 98090d3b-e4d2-b671-137c-65d9f6ec234b-eng |
|---|---|
| Full title | behind the seen how walter murch edited cold mountain using apples final cut pro and what this means for cinema |
| Author | koppelman charles |
| Grouping Category | book |
| Last Update | 2024-04-16 12:23:35PM |
| Last Indexed | 2024-04-17 03:37:48AM |
Book Cover Information
| Image Source | syndetics |
|---|---|
| First Loaded | Jun 23, 2022 |
| Last Used | Apr 9, 2024 |
Marc Record
| First Detected | Nov 09, 2022 03:45:56 PM |
|---|---|
| Last File Modification Time | Apr 16, 2024 12:32:34 PM |
MARC Record
| LEADER | 03732cam a2200745 i 4500 | ||
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| 100 | 1 | |a Koppelman, Charles,|e author.|0 http://id.loc.gov/authorities/names/n94119935 | |
| 245 | 1 | 0 | |a Behind the seen :|b how Walter Murch edited Cold Mountain using Apple's Final Cut Pro and what this means for cinema /|c Charles Koppelman. |
| 246 | 3 | 0 | |a How Walter Murch edited Cold Mountain using Apple's Final Cut Pro and what this means for cinema |
| 264 | 1 | |a Berkeley, CA :|b New Riders,|c [2005] | |
| 264 | 4 | |c ©2005 | |
| 300 | |a 1 online resource (1 volume) :|b illustrations. | ||
| 336 | |a text|b txt|2 rdacontent | ||
| 337 | |a computer|b c|2 rdamedia | ||
| 338 | |a online resource|b cr|2 rdacarrier | ||
| 490 | 1 | |a Voices that matter | |
| 500 | |a Includes index. | ||
| 505 | 0 | |a The last preview -- Running on the fault line -- Kicking the tires -- Give me a reason not to -- Keys to the kingdom -- Scenes I can cut! -- The flow of it -- The hemidemisemiquaver -- Another Rubicon crossed -- Time and endless patience -- Bullets, explosions, music, people -- Finding the film you have. | |
| 546 | |a English. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a O'Reilly|b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 600 | 1 | 0 | |a Murch, Walter,|d 1943-|0 http://id.loc.gov/authorities/names/no92017670 |
| 600 | 1 | 7 | |a Murch, Walter,|d 1943-|2 fast|1 https://id.oclc.org/worldcat/entity/E39PBJdCqYKrTJfK6x9pTrBHG3 |
| 630 | 0 | 0 | |a Final cut (Electronic resource)|0 http://id.loc.gov/authorities/names/n2003075660 |
| 630 | 0 | 0 | |a Cold Mountain (Motion picture)|0 http://id.loc.gov/authorities/names/n2003029781 |
| 630 | 0 | 7 | |a Cold Mountain (Motion picture)|2 fast |
| 630 | 0 | 7 | |a Final cut (Electronic resource)|2 fast |
| 650 | 0 | |a Motion pictures|x Editing|x Data processing. | |
| 650 | 0 | |a Digital cinematography.|0 http://id.loc.gov/authorities/subjects/sh2001001797 | |
| 650 | 6 | |a Montage (Cinéma)|x Informatique. | |
| 650 | 6 | |a Cinéma numérique. | |
| 650 | 7 | |a Digital cinematography|2 fast | |
| 650 | 7 | |a Motion pictures|x Editing|x Data processing|2 fast | |
| 650 | 7 | |a Visual Arts.|2 hilcc | |
| 650 | 7 | |a Art, Architecture & Applied Arts.|2 hilcc | |
| 650 | 7 | |a Photography.|2 hilcc | |
| 758 | |i has work:|a Behind the seen (Text)|1 https://id.oclc.org/worldcat/entity/E39PCFwpMcxbX78fD44TCTBRTd|4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version:|a Koppelman, Charles.|t Behind the seen.|d Berkeley, Calif. : New Riders, 2005|z 0735714266|w (DLC) 2005295610|w (OCoLC)57215533 |
| 830 | 0 | |a Voices that matter.|0 http://id.loc.gov/authorities/names/no2003011275 | |
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