Recording studio design
(eBook)
Author
Published
Oxford [England] ; Burlington, MA : Focal Press, 2003.
Format
eBook
ISBN
9781136115172, 113611517X
Physical Desc
1 online resource (1 volume) : illustrations
Status
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Subjects
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Language
English
Notes
Bibliography
Includes bibliographical references and index.
Description
Philip Newell's comprehensive reference work contains pearls of wisdom which anyone involved in sound recording will want to apply to their own studio design. He discusses the fundamentals of good studio acoustics and monitoring in an exhaustive yet accessible manner.Recording Studio Design covers the basic principles, their application in practical circumstances, and the reasons for their importance to the daily success of recording studios. All issues are approached from the premise that most readers will be more interested in how these things affect their daily.
Local note
O'Reilly,O'Reilly Online Learning: Academic/Public Library Edition
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Citations
APA Citation, 7th Edition (style guide)
Newell, P. R. (2003). Recording studio design . Focal Press.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Newell, Philip Richard. 2003. Recording Studio Design. Focal Press.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Newell, Philip Richard. Recording Studio Design Focal Press, 2003.
MLA Citation, 9th Edition (style guide)Newell, Philip Richard. Recording Studio Design Focal Press, 2003.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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Grouped Work ID
0e2aa78d-81e7-8f7e-a11b-71e0333dbb59-eng
Grouping Information
Grouped Work ID | 0e2aa78d-81e7-8f7e-a11b-71e0333dbb59-eng |
---|---|
Full title | recording studio design |
Author | newell philip richard |
Grouping Category | book |
Last Update | 2024-04-16 12:23:35PM |
Last Indexed | 2024-04-20 02:22:57AM |
Book Cover Information
Image Source | syndetics |
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First Loaded | Jul 3, 2022 |
Last Used | Apr 15, 2024 |
Marc Record
First Detected | Nov 09, 2022 03:43:47 PM |
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Last File Modification Time | Apr 16, 2024 12:30:37 PM |
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100 | 1 | |a Newell, Philip Richard.|0 http://id.loc.gov/authorities/names/n95071578 | |
245 | 1 | 0 | |a Recording studio design /|c Philip Newell. |
260 | |a Oxford [England] ;|a Burlington, MA :|b Focal Press,|c 2003. | ||
300 | |a 1 online resource (1 volume) :|b illustrations | ||
336 | |a text|b txt|2 rdacontent | ||
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504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Cover; Recording Studio Design; Copyright; Contents; About the author; Acknowledgements; Preface; Introduction; Chapter 1 General requirements and common errors; 1.1 The general requirements; 1.2 Sound isolation and background noise levels; 1.2.1 From the inside out; 1.2.2 From the outside in; 1.2.3 Realistic goals; 1.2.4 Isolation versus artistry; 1.3 Confidence in the system; 1.4 The complete system; 1.5 Very common mistakes; 1.5.1 The need for space; 1.5.2 Height; 1.5.3 Floor loading; 1.6 Summary; Chapter 2 Sound, decibels and hearing; 2.1 Perception of sound; 2.2 Sound itself | |
505 | 8 | |a 2.3 The decibel sound power, sound pressure and sound intensity; 2.3.1 The dBA and dBC scales; 2.4 Human hearing; 2.4.1 Chacun A Son Oreille; 2.5 Summary; References; Bibliography; Chapter 3 Sound isolation; 3.1 Vibrational behaviour; 3.1.1 Relevance to isolation; 3.2 Basic isolation concepts; 3.2.1 Damping and the mass law; 3.2.2 Floating structures; 3.2.3 Floating system choices; 3.3 Practical floors; 3.3.1 Floors on weak sub-floors; 3.4 Ceiling isolation; 3.4.1 A trip through the ceiling; 3.5 Summing the results; 3.5.1 Internal reflexions; 3.6 Wall isolation | |
505 | 8 | |a 3.7 Lighter weight isolation systems3.8 Reciprocity and impact noises; 3.9 The distance option; 3.10 Discussion; 3.11 Summary; Reference; Bibliography; Chapter 4 Room acoustics and means of control; 4.1 Internal expansion; 4.2 Modes; 4.3 Flutter echoes and transient phenomena; 4.4 Reverberation; 4.4.1 Measuring reverberation time; 4.5 Absorption; 4.5.1 Speed of sound in gases; 4.5.2 Other properties of fibrous materials; 4.5.3 Absorption coefficients; 4.5.4 Porous absorption; 4.5.5 Resonant absorbers; 4.5.6 Membrane absorbers; 4.6 Q and damping; 4.7 Diffusion; 4.8 Diffraction; 4.9 Refraction | |
505 | 8 | |a 4.10 Review4.11 Summary; References; Bibliography; Chapter 5 Designing neutral rooms; 5.1 Background; 5.2 Large neutral rooms; 5.3 Practical realisation of a neutral room; 5.3.1 Floors; 5.3.2 Shapes, sizes and modes; 5.3.3 From isolation shell towards neutrality; 5.3.4 Lower frequency control; 5.3.5 Relative merits of neutrality and idiosyncrasy; 5.4 What is parallel?; 5.5 Reflexions, reverberation and diffusion; 5.6 Floor and ceiling considerations; 5.7 Wall treatments; 5.8 Small and neutral; 5.8.1 Practical constructions; 5.8.2 The journey of the sound waves; 5.8.3 The pressure zone | |
505 | 8 | |a 5.8.4 Wall losses5.8.5 Transfer of sound between high and low densities; 5.8.6 Combined effects of losses; 5.8.7 A micro-problem; 5.9 Trims; 5.10 The degree of neutrality -- an overview; 5.11 Summary; References; Bibliography; Chapter 6 Rooms with characteristic acoustics; 6.1 Definitions; 6.2 A brief history of idiosyncrasy; 6.2.1 From a room to a classic; 6.2.2 Limited, or priceless?; 6.3 Drawbacks of the containment shells; 6.4 Design considerations; 6.4.1 Room character differences; 6.5 Driving and collecting the rooms; 6.6 Evolution of stone rooms; 6.6.1 Construction options | |
520 | |a Philip Newell's comprehensive reference work contains pearls of wisdom which anyone involved in sound recording will want to apply to their own studio design. He discusses the fundamentals of good studio acoustics and monitoring in an exhaustive yet accessible manner.Recording Studio Design covers the basic principles, their application in practical circumstances, and the reasons for their importance to the daily success of recording studios. All issues are approached from the premise that most readers will be more interested in how these things affect their daily. | ||
588 | 0 | |a Print version record. | |
590 | |a O'Reilly|b O'Reilly Online Learning: Academic/Public Library Edition | ||
650 | 0 | |a Sound studios|x Design and construction. | |
650 | 0 | |a Acoustical engineering.|0 http://id.loc.gov/authorities/subjects/sh85000596 | |
650 | 6 | |a Acoustique appliquée. | |
650 | 7 | |a Acoustical engineering|2 fast | |
650 | 7 | |a Sound studios|x Design and construction|2 fast | |
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