Recording studio design
(eBook)
Author
Published
Oxford : Elsevier/Focal Press, 2008.
Format
eBook
Edition
2nd ed.
ISBN
0080556051, 9780080556055
Physical Desc
1 online resource (xxiii, 711 pages) : illustrations
Status
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Language
English
Notes
General Note
Previous edition: 2003.
Bibliography
Includes bibliographical references and index.
Description
Recording Studio Design is essential reading for anyone involved in building, renovating and maintaining recording studios. Good acoustics in a recording studio is crucial to the success of a project, and the financial implications of failure means getting things right first time is essential. In straightforward language Newell covers the key basic principles of acoustics, electro-acoustics and psychoacoustics and their application to studio design. Fully updated to reflect current technology and practice additional sections include digital signal processing, design for soundtrack mixing and foley rooms, providing a complete reference offering real solutions to help improve the success rate of any studio. *Provides great detail on the practical recording application in various acoustic environments *Complex issues are explained and real solutions provided *Benefit from Newell's years of experience, designing over 200 studios including Manor and Town House Studios.
Description
"Essential for anyone building, renovating or maintaining a recording studio; includes 3 whole new chapters on foldback, electrical supplies and analogue interfacing; new sections on cinema soundtrack mixing rooms and TV voice rooms. Covering acoustics, electro-acoustics and psychoacoustics Newell uses real world studios, their problems and solutions, to provide the foundations for successful studio design and maintenance."--Page 4 of cover
Local note
O'Reilly,O'Reilly Online Learning: Academic/Public Library Edition
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Citations
APA Citation, 7th Edition (style guide)
Newell, P. R. (2008). Recording studio design (2nd ed.). Elsevier/Focal Press.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Newell, Philip Richard. 2008. Recording Studio Design. Elsevier/Focal Press.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Newell, Philip Richard. Recording Studio Design Elsevier/Focal Press, 2008.
MLA Citation, 9th Edition (style guide)Newell, Philip Richard. Recording Studio Design 2nd ed., Elsevier/Focal Press, 2008.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
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Grouped Work ID
0e2aa78d-81e7-8f7e-a11b-71e0333dbb59-eng
Grouping Information
Grouped Work ID | 0e2aa78d-81e7-8f7e-a11b-71e0333dbb59-eng |
---|---|
Full title | recording studio design |
Author | newell philip richard |
Grouping Category | book |
Last Update | 2024-04-16 12:23:35PM |
Last Indexed | 2024-04-20 02:22:57AM |
Book Cover Information
Image Source | syndetics |
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First Loaded | Jul 3, 2022 |
Last Used | Apr 15, 2024 |
Marc Record
First Detected | Nov 09, 2022 03:39:21 PM |
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Last File Modification Time | Apr 16, 2024 12:26:16 PM |
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100 | 1 | |a Newell, Philip Richard.|0 http://id.loc.gov/authorities/names/n95071578 | |
245 | 1 | 0 | |a Recording studio design /|c Philip Newell. |
250 | |a 2nd ed. | ||
260 | |a Oxford :|b Elsevier/Focal Press,|c 2008. | ||
300 | |a 1 online resource (xxiii, 711 pages) :|b illustrations | ||
336 | |a text|b txt|2 rdacontent | ||
337 | |a computer|b c|2 rdamedia | ||
338 | |a online resource|b cr|2 rdacarrier | ||
500 | |a Previous edition: 2003. | ||
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a General requirements and common errors; Sound, decibels and hearing; Sound isolation; Room acoustics and means of control; Designing neutral rooms; Rooms with characteristic acoustics; Variable acoustics; Room combinations and operational considerations; The studio environment; Limitations to design predictions; Loudspeakers in rooms; Flattening the room response; Control rooms; The behaviour of multiple loudspeakers in rooms; Studio monitoring: the principal objectives; The non-environment control room; The live-end, dead-end approach; Response disturbances due to mixing consoles and studio furniture; Objective measurement and subjective evaluations; Studio monitoring systems; Surround sound and control rooms; Human factors; A mobile control room; Appendices; Glossary of terms. | |
505 | 0 | |a Ch. 1. General requirements and common errors -- Ch. 2. Sound, decibels and hearing -- Ch. 3. Sound isolation -- Ch. 4. Room acoustics and means of control -- Ch. 5. Designing neutral rooms -- Ch. 6. Rooms with characteristic acoustics -- Ch. 7. Variable acoustics -- Ch. 8. Room combinations and operational considerations -- Ch. 9. The studio environment -- Ch. 10. Limitations to design predictions -- Ch. 11. Loudspeakers in rooms -- Ch. 12. Flattening the room response -- Ch. 13. Control rooms -- Ch. 14. The behaviour of multiple loudspeakers in rooms -- Ch. 15. Studio monitoring: the principal objectives -- Ch. 16. The non-environment control room -- Ch. 17. The live-end, dead-end approach -- Ch. 18. Response disturbances due to mixing consoles and studio furniture -- Ch. 19. Objective measurement and subjective evaluations -- Ch. 20. Studio monitoring systems -- Ch. 21. Surround sound and control rooms -- Ch. 22. Human factors -- Ch. 23. A mobile control room -- Ch. 24. Foldback -- Ch. 25. Main supplies and earthing systems -- Ch. 26. Analogue audio interfacing. | |
520 | |a Recording Studio Design is essential reading for anyone involved in building, renovating and maintaining recording studios. Good acoustics in a recording studio is crucial to the success of a project, and the financial implications of failure means getting things right first time is essential. In straightforward language Newell covers the key basic principles of acoustics, electro-acoustics and psychoacoustics and their application to studio design. Fully updated to reflect current technology and practice additional sections include digital signal processing, design for soundtrack mixing and foley rooms, providing a complete reference offering real solutions to help improve the success rate of any studio. *Provides great detail on the practical recording application in various acoustic environments *Complex issues are explained and real solutions provided *Benefit from Newell's years of experience, designing over 200 studios including Manor and Town House Studios. | ||
520 | 2 | |a "Essential for anyone building, renovating or maintaining a recording studio; includes 3 whole new chapters on foldback, electrical supplies and analogue interfacing; new sections on cinema soundtrack mixing rooms and TV voice rooms. Covering acoustics, electro-acoustics and psychoacoustics Newell uses real world studios, their problems and solutions, to provide the foundations for successful studio design and maintenance."--Page 4 of cover | |
588 | 0 | |a Print version record. | |
590 | |a O'Reilly|b O'Reilly Online Learning: Academic/Public Library Edition | ||
650 | 0 | |a Sound studios|x Design. | |
650 | 0 | |a Acoustical engineering.|0 http://id.loc.gov/authorities/subjects/sh85000596 | |
650 | 6 | |a Acoustique appliquée. | |
650 | 7 | |a Acoustical engineering|2 fast | |
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